Motion is Poetry
[ A collection of
poetics and vagrancy.]
motionispoetry@gmail.com
Catching Elephant is a theme by Andy Taylor
if this isn’t poetry, i don’t know what is.
( see also: http://www.youtube.com/watch?v=rQi8wEHMm5Y )
like a scratchy old
black and white film
-darkness set with light
i saw you today
your eyes already alight
as timeless lovers
winged in bravery
your hands reaching for
every shimmer, every dance,
every harrow and heartache
this world breathes upon us

nirvana is boring
if we find out -,
there’s nothing
to do tomorrow
you and me,
Ellie
hopscotching across
state lines
washed with warm air
standing tall
on the tallest mountains
chins high and brave
alive together,
barefoot,
dreaming awake
beneath the bourbon sun
love
is our food
dancing always -
your soft feet
never far from mine
darling girl,
you
are the
love of
my life
we are a saxophone
blaring through an
August night
we are a clapping
high hat
bringing on the rainbow-faced
fireworks
we are Elvis Presley
we are the
goddamn Rolling Stones
we are greek gods
of youth
our beautiful bodies
follow the sun west
the morning hawks
crow as we
pack our bags
and dance slow
down the bright road
leaving nothing but
a few smoking coals
the fire forges forward
with us
we are the light
Though I don’t recall submitting it, my poem “Overture” is in the 2010 edition of Grub Street. The lit mag is available all over the Towson University campus and in various spots in Baltimore.
The magazine is full of free, local art. So check it out.
Overture (or, five or six ways to not pay your taxes)
I.
this rabid militia of snakes dates back
to the first ghost writer with
a god complex
the capital building is a summer camp
for the criminally insane
dead turtles silenced and scrubbed from the island
native bones stolen and strung together
this country is a broken dream catcher
II.
no water for bottles but its chest high
flowing through the department store
ground zero is a cesspool of arsenic alliances
better living through chemicals;
- i like to think oppression isn’t organic
but sometimes i’m not sure
III.
futile, fast and funded
we’re fighting the sun with fire
Ahab sold his harpoons for water colors
tonight, the captain’s dreams are in technicolor
an all night marathon of good intentions
(with tar in her feathers
time elapses through empire
bread becomes dirt
trees become trenches
and people become birds)
IV.
so we’re felling a nation, our huddled masses
and free breaths assemble
and disassemble the walls
north capital is flooded with angry tribes
of the tired, the hungry, the poor
somebody’s kicked out the window
of the state house
firebombs are taking out the national bank
and a stolen tank climbs the steps to
the capital
V.
i think if Jesus were alive,
he’d read Howard Zinn
in a boarded up basement and
lobby against Exxon
he’d be in the streets, fists raised and feet firm
marching with black and green flags
waving like a dark and endless forest
until one day
while dancing with the kids from SDS down K street,
he’d be arrested for terrorism
and killed quietly in some unknown building
in northern Virginia
what is it
to know that you’re
doing the right thing - ?
to wake up in a
nameless town
with yesterday’s dirt
still in your hair
to watch the morning sun
yawn through low hills
and over passing cars
as they push on to work
to eat the last of a
stolen loaf of bread
and follow a talkative river
grazing on the promise
of each untasted moment
this knowing -
do you know
you know it
do you feel
noble wind howl in each
breath
like the word of god?
or do you mostly focus
on the ache in your
dry stomach
and wonder how your feet
will fair
the coming winter?
don’t kid yourself -
every single moment
of every dragged out
day
is life or death.
whether you are clutching
the last inch of a
wire over god’s empty
cavern
or drinking red juice
on the same dull
brown couch
week after month
you are either alive
or you are not.
stand tall and
unbreakable
upon the shapeless
guilty heart of the city.
feel the sun -
the sun feels you.
dance.
dance like you are
four years old,
limbs and hair barely
clinging to a center.
dance like you will die tonight
and no one will ask
about it tomorrow.
the world belongs to you
but your feet owe a debt.
The Hidden City Quarterly, a Baltimore Literary Magazine, published my poem “bound.” They added odd line breaks, capitalized things I did not capitalize and changed the last two words. But, nevertheless, its local and its free art.
